Selected Interviews

“Traces of Ecstasy: A Conversation with Curator KJ Abudu,” Sugarcane Magazine, July 2024

“Living with Ghosts Reckons with Africa’s Past, Present, and Future,” Frieze, July 2022

Selected Press

“The Trouble with Art Biennials Today,” Frieze, January 2025

“Kobby Adi: The Logic of the Shift,” Mousse, October 2024

“Kobby Adi,” Art Monthly, May 2024

“Learning from Lagos: Lessons from the Megaloposis’s Growing Art Scene,” Art in America, April 2024

“These Were the Highlights of the 4th Lagos Biennial,” Artnet, March 2024

“Refuge: A Tapestry of Contradictions and Convergence at the 2024 Lagos Biennial,” Artthrob, March 2024

“Traces of Ecstasy Stands Out At The Lagos Biennial,” Boy.Brother.Friend, February 2024

“The 4th Lagos Biennial: Exploring the Spatial and Socio-Political Implications of Refuge,” Arch Daily, February 2024

“Lagos Biennial 2024: A Refuge of Sorts,” Contemporary And, February 2024

“L’art comme refuge: un regard sur la 4e biennale de Lagos,” Le Quotidien De L’Art, February 2024

Graham Foundation Grantee for “Traces of Ecstasy,” 2023

“Five Shows to See in the UK and Ireland This Summer,” Frieze, July 2022

“Living with Ghosts: Africa’s revolutionaries come back from the dead,” The Guardian, July 2022

“Living with Ghosts - Group Show,” Contemporary And, July 2022

“Lagos Biennial announces artists and format,” Art Review, November 2021